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"We have learned that we in fashion engage with a much wider world," Prada said in the show notes.
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Shoes had a low, cantilevered heel, giving the sensation of suspension.įor Prada, it is a mistake to discuss the show in terms of a "return to normal." Magenta accented acid green, which in turn complemented girlish pink. The colour palette ranged from navy and black to cotton candy pink and canary yellow. Mini-knit tunics were cinched at the waist and worn over matching short-shorts Knitwear was soft, with breastplate or corset detailing, finished with the same leather bicep straps. Leather straps on bare biceps finished the look. They were worn with sweaters, distressed leather bomber jackets and sleeveless blouses with black-and-white prints that laced up for a punk feel.ĭresses were cinched at the waist and left open at the back in a way that suggested the Prada V logo, while the skirt had a deep inverse-V slit.
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More formally, skirts sported full tuxedo tails. Mini-skirts in couture silk trailed long sashes, sometimes left floating behind.
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We want to make it uncomplicated, easy, that feels modern," Simons said. "These clothes can become complicated: evening dresses, historical costume. Simons bemoaned the "irreality" of an evening gown "however beautiful," and it is certainly the case that many gowns have spent the pandemic hanging, unheralded, in closets. The collection, the third of the Prada-Simons era, was a deconstruction of traditional evening wear - trains, corsets and evening gowns - as a study in sensuality and in revealing the female form, the designers said in show notes. Another show was staged simultaneously in Shanghai, with images of the darkened skyline broadcast in the Milan showroom. Inside, masked editors vetted with a health pass sat at a social distance that left plenty of room to breathe. Prada returned to the live runway for the first time since February 2020, when the creative partnership between Miuccia Prada and Raf Simons was announced and just as Italy detected the first locally transmitted cases of the new coronavirus.įans thronged the sidewalk outside the Fondazione Prada showroom and contemporary art exhibition space to hail VIPS and influencers alike, as old fashion rituals resumed. "Everyone wanna be hot, but Earth isn't one of them," read another sign. Signs at the climate march through the heart of Milan urged "Dress the change," a slogan aimed at the second-most polluting industry after energy. But with companies racing to restore sales to pre-pandemic levels, one is left to wonder: are deeper changes really afoot? Yes, shows are socially distanced, and fewer editors are admitted than ever.
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The question hanging over fashion week is whether after 19 months, the coronavirus pandemic has led to any real changes in a system that has revolved around four ready-to-wear cycles a year, plus cruise and couture. Milan Fashion Week opened its third day of preview shows for next spring and summer against the backdrop of thousands of young environmental protesters calling out the industry Friday for its wasteful and polluting ways.